Abstract
This interdisciplinary research examines the changes and evolution of tiger representations in visual media by combining anthropology, material culture, art history, and film studies. It analyses depictions of tigers in static images from the Mughal period (16th -19th century) and moving images (19th -20th century) to provide a nuanced understanding of the tiger’s symbolism and impact across historical contexts. Anthropology contextualises tiger imagery by exploring themes of symbolism and the socio-political implications of representations during the colonial and post-colonial periods. Material culture helps reveal how representations of tigers reflect shifting cultural values and evolving relationships between humans and nature. On the other hand, film studies examine the portrayal of tigers in cinematic narratives, analysing visual techniques, narrative structures, and audience reception in Asian (with particular emphasis on Indian cinema) and Western films from the early 20th century to the present. Art history investigates the aesthetic and historical contexts that have shaped static representations of tigers in various art forms. By synthesising these disciplinary perspectives, this research offers a comprehensive comparative analysis of tiger symbolism, highlighting how cultural, social, and political dynamics have influenced animal representation across various mediums. Ultimately, it seeks to elucidate the tiger’s enduring role as an influential cultural symbol, tracing its significance within human society through historical periods.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Tiger Symbolism, Anthropology, Material Culture, Colonialism, Art History, Post-colonialism, Visual
