Abstract
This paper explores the potential of Brain-Computer Interfaces (BCIs) in enhancing inclusive and multisensory museum experiences by investigating individual emotional responses to artworks. BCIs, which enable the direct measurement of brain activity in response to external stimuli, have increasingly been applied in affective computing and emotion research. However, many existing studies rely on standardized image databases that lack ecological and cultural relevance, especially in the context of museum settings. To address this limitation, our research proposes an experimental design that emphasizes inclusivity and ecological validity. In collaboration with a local museum, we selected a set of artworks accompanied by audio descriptions. Participants with diverse backgrounds were recruited to take part in a study measuring their neurophysiological responses—specifically brainwave activity—while experiencing these artworks. The stimuli were presented in different sequences across four participant groups to investigate potential variations in perception based on presentation order and content. The aim of this pilot study is twofold: to assess the feasibility of using BCIs in the museum context, and to initiate a broader reflection on how museums can adopt new technologies to capture and respect the diversity of individual experiences. By focusing on emotional engagement and visitor-centered design, the project contributes to ongoing discussions about accessibility, representation, and the role of museums as inclusive cultural institutions. This research aligns with the themes of addressing visitor diversity, the integration of innovative technologies, and the role of museums in generating inclusive knowledge practices.
Presenters
Antonella RosminoStudent, LM12-Design, Università degli Studi della Campania "Luigi Vanvitelli", Caserta, Italy
Details
Presentation Type
Theme
KEYWORDS
Brain-Computer Interfaces, Inclusive Cultural Heritage, Multisensory Integration, Singularity, Individual Perception
