Abstract

This article analyzes the characteristics of Henan “Zhuizi,” a traditional vocal form native to Kaifeng, Henan, China, and part of the Chinese speaking and singing art known as “Quyi.” “Zhuizi” has experienced a significant decline since the 1980s, prompting urgent scholarly and preservationist attention. The study employs a qualitative approach, utilizing a combination of literature review, field investigation, musical analysis, and key informant interviews to explore the unique features of “Zhuizi.” Research findings reveal a distinctive structure and form. Furthermore, vocal techniques used in the tradition, such as the “Lian-Ti,” glide, “mo,” stacking rhyme, and drag voice change rhyme forms, hold great emotional and thematic significance. This study identifies two distinctive schools of “Zhuizi” and discusses their role in safeguarding the genre. The researchers advocate for recognizing the contemporary school as a suitable mechanism for revitalizing Henan “Zhuizi” as a crucial aspect of China’s intangible cultural heritage.