Abstract

George Eliot’s Silas Marner: The Weaver of Raveloe uses the seasons, geography, space, and time to chart the protagonist’s inner growth and life journey. It contrasts two distinct locations that represent different stages of Silas’ self-awareness and personal development: Lantern Yard, the urban setting, represents Silas’ early life of rigid religious beliefs, a sense of community, but also betrayal and false accusation, and industrial progress and change; Raveloe, the rural setting, symbolizes Silas’ isolation and later redemption, a slower pace of life rooted in nature and tradition, and opportunity for personal growth and healing. The inner landscape evolves in tandem with his physical surroundings, since the initial closed-off existence in Raveloe reflects his emotional state. As he opens to the community, his world expands, and Eppie’s arrival transforms both Silas and his home environment. Silas’ cottage and all the interiors represent refuge and protection, whereas exteriors signify potential threats but also connection to nature. Crossing thresholds between these spaces marks important transitions in Silas’ life. Eliot interweaves the passage of time with changes in the landscape; seasons mirror Silas’ emotional states and life stages, and time layers the landscape, revealing secrets and altering structures. The rhythms of nature parallel Silas’ personal evolution, while growth is possible, the past cannot be undone. Through this intricate mapping of inner and outer landscapes, Eliot creates a rich tapestry that reflects the complexities of human growth and the profound impact of place and time on personal development.