Schedule
371
Paris Pre-conference Walking Tour
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Online Welcome and Training Session (Live - Online Only)
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Conference Registration Desk Open and Welcome Coffee
Université Paris 1 Panthéon-Sorbonne 12 Pl. du Panthéon, 75005 Paris, France
The Sun Is Shining above the Clouds: A Collaborative Film Script Written by Women, Men, and Machines - European Forum for Advanced Practices, Context Working Group
Adnan Hadzi, Associate Professor, Departement of Digital Arts, University of Malta, Msida, Malta
Digital Versus Physical: Comparative Study of the Viewing Experience of Archived Photographs
Nitendra Singh, Ph.D. Scholar, Design, Indian Institute of Technology, Delhi, India
Aneesha Sharma, Associate Professor, Design, IIT Delhi
Pāhekoheko - Combining, Co-operative, Joint, United, Interactive, Associated, Integrated, Mixed: Collaborative Practices to Form New Cultural Imaginaries
Becky Nunes, Associate Professor of Lens-based Media, Creative Industries, Staffordshire University, United Kingdom
Re-Examining Interests and Rights in Modern Image-Making
S. Che Ekaratne, Lecturer, School of Law, University of Reading, United Kingdom
Creating Images with AI: Collaboration and Serendipity as Frameworks
Madeleine Sorapure, Teaching Professor/Associate Dean, Writing Program, University of California at Santa Barbara, United States
Excess and Empowerment: The Countess of Castiglione's Photographic Reimaginings
Frances Di Lauro, Associate Professor, English and Writing, The University of Sydney, New South Wales, Australia
A Touch of Style: Indexicality as a Mode of (Meta)Representation
Ricardo De Mambro Santos, Chair, Art History, Willamette University, Oregon, United States
Conference Welcome and Opening
Online Session
Asynchronous Session
Social Reflections
Asynchronous Session
Architecture of the Soul: Castle and Cathedral Imagery in Western Spiritual Practices
Rebecca Barham, Art Research Librarian, Library Research Support Services, University of North Texas, Texas, United States
Picture This: How Images Shape Teaching and Learning
Katherine Horlock, Associate Chair and Assistant Professor, Teacher Education and Leadership, Mississippi College, Mississippi, United States
Cindy Melton, Dean, School of Education, Departments of Psychology, Counseling, Kinesiology, and Teacher Education, Mississippi College, Mississippi, United States
Coffee Break
Online Poster Session
Asynchronous Session
The Image in Intersemiotic and Multimodal Performance: Making the Invisible Visible
Thomas Marotta, Lecturer, Creative Industries, University of Technology Sydney (UTS College), New South Wales, Australia
From Slides to Stories - Elevating Visual Communication in the Digital Age: How Graphic Design and Storytelling Converge in Presentation Design
Volodymyr Shostakovych, CEO, Art Director, Vova.Design, California, United States
Online Session
Asynchronous Session
Transition Break
Art as Activism: The Feminist Legacy of Éva Besnyő, Kati Horna, and Ata Kandó in the Digital Age
Erdei Krisztina, Doctoral Student, Art History, Eotvos Loránd University, Hungary
From Body Vision to Body Sensation: An Aesthetic of Immersive Ambiguity
Anna Charrière, Student, PhD Student, Panthéon Sorbonne, Paris, France
Miguel Angel Almiron, Media Artist and Professor, University Paris 1 Panthéon-Sorbonne, France
Glass House: Displacement, Memory, and the Silent Image of Survival
Ozgul Kılınçarslan, Associate Professor, Faculty of Fine Arts and Design / Visual Communication Design, Izmir University of Economics, Turkey
Pre-Columbian Iconography in Stars and Rocks: The Trascendence of Atacama Desert's Likan Antai Culture in Petroglyphs and Rock Art
Juan Edwards, Professor, Facultad de Comunicaciones, Pontificia Universidad Católica de Chile, Región Metropolitana de Santiago, Chile
Federico Aguirre, Associate Professor, Faculty of Theology, Pontifical Catholic University of Chile, Región Metropolitana de Santiago, Chile
Enrique Vergara Leyton, Tenure professor, Facultad de Comunicaciones, Pontificia Universidad Católica de Chile, Región Metropolitana de Santiago, Chile
Knowing More, Seeing More: The Impact of Information on Art Perception in Three Studies
Christopher Linden, Student, PhD, KU Leuven, Belgium
Othering Made Easy: Reinforcing African Stereotypes through Instagram
Lawrence Wood, Professor, School of Media Arts and Studies, Ohio University, Ohio, United States
Counter-Images of the Alps - Visual Activism Against the Spectacle-Driven Exploitation of Italian Alpine Landscapes: Photography and Transmedia Research as a Democratic Tool of Information and Resistance
Beatrice Citterio, Student, PhD Candidate, Free University of Bolzano, Milano, Italy
Poem, Painting, Sculpture: Text and Art in Nomad Space
Shakir Mustafa, Student, Ph.D., Northeastern University, Boston, USA, Armed Forces Americas, United States
AI Style
Maayan Amir, Researcher, Director and Curator of University Galleries , Department of the Arts, Ben-Gurion University of the Negev, Israel
Lunch
Form-Process: The Performative Act of the Image
Evi Roumani, Student, PhD Candidate, Athens School of Fine Arts, Attiki, Greece
Lux & Looks: An Art Installation and Artistic Research on Light, Reflection, Images, Perception and Memory
Patrick Ceyssens, Docent, Arts & Architecture, PXL-MAD School of ARTS, Belgium
Johan Wagemans, Professor, Brain and Cognition, University of Leuven, Vlaams Brabant (nl), Belgium
Getting Language Out of the Picture: Isolating Contributions of Visual Processing in Empirical Aesthetics
Ben Van Buren, Assistant Professor, Department of Psychology, The New School, United States
To Open Eyes: Photography at Black Mountain College
Siu Challons-Lipton, Executive Director and Professor of Art History, Department of Art, Design and Music, Queens Univeristy of Charlotte, North Carolina, United States
The New Kings Don't Die : AI, Technology, and Transcendence
Tanner Yocom, Student, PhD, University of West London, London, City of, United Kingdom
People Take Over Places for Democracy - Protest Movements from 2011 to 2022: A Teaching Research Project with Students of Cultural Studies
Ursula Kirschner, Professor, Faculty of Culture and social Sciences , Leuphana University Lüneburg, Germany, Niedersachsen, Germany
Nayara Benatti, Student, PhD Candidate, Universidade de São Paulo, São Paulo, Brazil
Image and Impact: Visual Methodologies to Instigate Social and Environmental Response
Kelly Salchow MacArthur, Professor of Graphic Design, Art, Art History, and Design, Michigan State University, Michigan, United States
“High-Performing” Images on Social Media: The Aesthetic Transformation in the Development of Images
Kaiyan Chu, Student, PhD Candidate, Lancaster University, Lancashire, United Kingdom
The Digital Fight for Freedom: Ukrainian Humor and Identity as Rhetorical Strategy in Digital Art
Jacqueline Irwin, Professor, Communication Studies, Sacramento State University, California, United States
Transition Break
The Camera as Membrane: Opacity in Photography and the Ontology of the Snapshot
Hannah Wilder, Student, Contemporary Art Practice, Royal College of Art, London, City of, United Kingdom
Semantics of Emptiness in Artistic Practices
Elizaveta Ivanova, Student, MA, SPbU, Sankt-Peterburg, Russian Federation
Resurrecting the Third Dimension: Extracting Historical Landscapes from Aerial Photography
Jon Jablonski, Librarian, DREAM Lab, University of California Santa Barbara, California, United States
Egungun, Gelede and Masquerades Linking the Dead and the Living: A Sociological Imagination
Dolapo Adeniji-Neill, Professor, College of Education and Health Sciences (CEHS), Adelphi University, New York, United States
Anne Mungai
Image - From the 'Not knowing' to a Critical Epistemology
Paula Martinelli, Student, PhD, Pontifical Catholic University of São Paulo (PUC-SP) and University of São Paulo (USP), São Paulo, Brazil
To Take Back Power: Teenagers Creation of Blackout Poems to Respond to Negativity
Siri Mohammad Roe, Assistant Professor, Teacher Education, Oslo Metropolitan University, Oslo, Norway
Hilde Tørnby, Professor, Faculty of Education and International Studies, OsloMetropolitan University, Norway
The Embodiment of Word : The Occurrence of Text in Paintings
Gizela Horvath, Professor, Arts, Partium Cristian University, Oradea, Bihor, Romania
The Eye in the Tip of the Fingers: The Tactile Cinema of Women Filmmakers
Orisel Castro López, Student, PhD, Polytechnic University of Valencia, Valencia, Spain
Pictorial Knowledge : The Case of the 19th-Century Lantern Lectures
Sonya Petersson, Assistant Professor / Research Fellow, Department of Culture and Aesthetics, Stockholm University, Stockholms län, Sweden
The Significance of Multimodal Cultural Manifestations for Mexican Americans in the USA: Identity and Activism Through the Game of Lotería
Gabriela C. Zapata, Associate Professor in Education, School of Education, University of Nottingham, United Kingdom
Unraveling Narratives: Image and Word in the Age of Trump
Melissa Bender, Continuing Lecturer, University Writing Program, University of California, Davis, California, United States
Karma Waltonen, Senior Lecturer, Writing Center, University of California, Davis, California, United States
Making the Same Image Every Day for Sixty Years: Revelations of Visual Culture and Tourism from the Kolb Trail Photos
Mark Neumann, Professor and Program Coordinator for Creative Media and Film Program, ]School of Communication, Northern Arizona University, Arizona, United States
Conference Boat Dinner Cruise - The Essence of Paris
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Université Paris 1 Panthéon-Sorbonne 12 Pl. du Panthéon, 75005 Paris, France
Coffee Break
Shaping Perception: Hands-On Exploration of the Narrative Power of Typographic Forms in Image-Making
İpek Köprülülü, Independent Designer, Currently Graphic Designer for Netflix Series “To Love, To Lose”, İpek Köprülülü, Turkey
Ekphrastic Poetry Workshop : Seeing Beyond What's Literal
Ann Van Buren, Ekphrastic Poetry Workshop Leader, Katonah Poetry Series, Greenburgh Public Library, United States
Art and Empathetic Connections: The Role of the Viewer
Susan Barahal, Senior Lecturer, Education, Tufts University, Massachusetts, United States
Elizabeth Canter, Manager of Academic Programs, Tufts University Art Galleries, United States
Noelle Roop, Faculty, Education, Tufts University, Massachusetts, United States
The Measurement and Evaluation of Community Interest in the Arts and Partnership Development
Anna Szabados, Chair, Arts Commission, Parks and Recreation, Brentwood City Council, California, United States
Eight Year Olds, Avatars and the Presentation of Self Online: Navigating Social Media Spaces through Considered Discourse and Image
Poppy Gibson, Senior Lecturer in Education, Faculty of Wellbeing, Education and Language Studies, Open University, Milton Keynes, United Kingdom
From Hallucinations to Hallelujah: Enhancing Critical Consciousness and Creative Ability Through Generative Artificial Intelligence
William Gates, Student, Doctorate of Education, Northeastern University, Massachusetts, United States
The Mask of the Ciberbandido : Surveillance Resistencia
Colton Campbell, Student, PhD, The Univeristy of New Mexico, New Mexico, United States
Transition Break
Images as Evidence?: Negotiating the Functions of Images in Science Communication
Charlotte Bruns, Postdoctoral Researcher and Lecturer, Erasmus University Rotterdam, Netherlands
The Form of Image within Democratic Aesthetics : Toward the Aesthetic Mode of Visual Cultural Analysis
Yi Chen, Senior Lecture in Contextual and Theoretical Studies, Design School, University of the Arts London, London, City of, United Kingdom
Metaphors of Hope : Children’s Image Making During Wartime
Tracey Bowen, Professor Teaching Stream Emeritas, Institute of Communication, Culture, Information & Technology, University of Toronto Mississauga, Ontario, Canada
M. Max Evans, Associate Professor/Graduate Program Director, School of Information Studies, McGill University, Quebec, Canada
Blueprints for Future Outlaws: Architectural Drawing as Art Practice in Times of Change
Liz Swanson, Associate Dean of Student Affairs and Associate Professor of Architecture, The College of Design and School of Architecture, The University of Kentucky, Kentucky, United States
Heritage in Motion: Digital Perspectives on Cultural Identity
Ilze Eklsa (Loza), Assistant Professor, College of Arts, Zayed University, Abū Z̧aby [Abu Dhabi], United Arab Emirates
Ephemeral and Entropic Properties of Ice as an Image-making Method
Iwona Abrams, Senior Lecturer, School of Media and Communication, University of Westminster, United Kingdom
Retro Aesthetics in the Digital Age: Lost Memories and the Expression of Liminal Aesthetics
Manxi Du, Student, PhD Candidate, Université Paris 1Panthéon-Sorbonne, France
Giving Order to Chaos: Meaning in the Arts
James Callaghan, Senior International Officer, Assistant Vice-President for International Education, Academic Affairs, Georgia College & State University, Georgia, United States
The Internet is American: Selfies, Sex Work and American Fascism
Camille Waring, Founder, The Photographic Theorist, Victoria, Australia
Withholding 'Us' - Images in/as the Space of Appearance: Rescuing the Ghosts of the Democratic
Brigid Mc Leer, Senior Lecturer, Fine Art , Manchester Metropolitan University, Lancashire, United Kingdom
@tlas Denkraum: Providing Space for Thought. Making Images to Work.
Lanoix Carole, Lecturer, IGEDT, UNIGE, Genève (fr), Switzerland
Humanscape in Geopoetics: Visual Diagnosis of Reclaimed Landscapes
Yue Hu, Student, PhD, University of Plymouth, Devon, United Kingdom
Lunch & Publishing Opportunities with Cheif Social Scientist
Data Lifeboats for Citizen-Driven Collecting
Fattori Mc Kenna, Lead, Research, Flickr Foundation, United Kingdom
George Oates, Co-founder and Executive Director, Flickr Foundation, United Kingdom
Expanding the Horizons of Three-Dimensional Software: Digital Art and Architectural Visualization Redefined
Saral Surakul, Associate Professor, Lamar Dodd School of Art, The University of Georgia, Georgia, United States
Unravelling Motherhood
Tammie Leong, Senior Lecturer, Design Department, Media Design School, Auckland, New Zealand
Pareidolia of Metamorphosis: A Study in Experimental Digital Animation
Sandee Bedford, Assistant Professor of Animation and Illustration, School of Art and Design, Kennesaw State University, Georgia, United States
Parallel Realities: The Looking Glass Self
Roddy MacInnes, Professor of Photography, School of Art and Art History, University of Denver, Colorado, United States
Osmotic Sensoria: Multisensory Learning Spaces and the Form of the Image in Society
Niberca Gissell Polo, Associate Teaching Professor, Parsons, School of Design. First Year Program, The New School University, New York, United States
Visualizing Collapse: The Symbolic Function of Computer-Generated Imagery in Contemporary Depictions of Social Threats
Kyla Van Buren, Instructor, Film Department, Santa Fe Community College, New Mexico, United States
Insect Macrophotography at the Nexus of Art, Science, and Biodiversity: The Limits of Aesthetics in the Communication of Science
Audrey Kali, Professor, Department of Communication, Media, and Performance, Framingham State University, Massachusetts, United States
How Inclusive Online Museum Impacts In-Person Visiting Experiences in the Toledo Museum of Art
Yong Huang, Associate Professor, Architecture, Bowling Green State University, Ohio, United States