Schedule
374
Tour guiado del Congreso: Paseo por París
No está incluido en la inscripción. Reserve su plaza en "Eventos especiales"
Sesión de bienvenida online (En directo)
Enlace Zoom en la descripción / 17:00 horario de París
Sesión virtual
Sesión asincrónica de acceso permanente
El papel de las adolescentes en las series de animación infantil de la era de las NFT: Superheroicidad, liderazgo innato y activismo feminista
Javier González Torres, Student, Doctor, Universidad de Málaga, Málaga, Spain
Fotografía, identidad y violencia en la Euskal Herria contemporánea
Ane Zubia Trebiño, Student, PhD, Universidad de Zaragoza, Guipúzcoa, Spain
Mesa de registro abierta y café de bienvenida
14 Rue Cujas, 75005 París, Francia. (Cerca de la Univeridad Panthéon-Sorbonne)
Inauguración del Congreso
Sesión plenaria y debate en inglés con Sha Xin Wei
"Collective Sense-making, Prototyping Social Forms, and Anticipatory Governance"
Transición a SALA 9 (Galerie Dumas D617)
Sesión virtual
Sesión asincrónica de acceso permanente
Creación de la Imagen en diseñadores gráficos: Procesos de enseñanza y evaluación en escenarios virtual y presencial
Arodi Morales Holguín, Marketing & Design consultant, Marketing & Design, Agencia de Publicidad , Sonora, Mexico
Pausa para café
Sesión virtual
Sesión asincrónica de acceso permanente
Pausa
Sesión plenaria y debate en español con Ana María Sedeño Valdellós
”Imaginarios y estéticas de lo visual con la Inteligencia Artificial: hipertrucaje, efectismos y fantasmagoría”
Sesión de pósteres Online
Sesión asincrónica de acceso permanente
El lugar como entidad y/o ficción a través de los procesos de hibridación de la producción pictórica contemporánea
Gonzalo José Tejero Pérez, Researcher, Painting, University of Granada, Granada, Spain
Pausa
Almuerzo: Mesa de Registro (Sala D714)
(Edificio de enfrente: Centre Panthéon, entrada por 133 Rue Saint-Jacques, 75005 Paris)
El milagro de la vida: Fotografiado desde el primer segundo de vida
Nora Dalmasso, Student, Fotógrafa profesional matriculada , International Association of Professional Birth Photographers, Entre Ríos, Argentina
Panel plenario en inglés: "Digital Care and Democratic Gestures"
Pausa
La Universidad, un espacio de lucha y democracia en el siglo XX, a través de sus imágenes
Paulina Michel, Responsable de la sección de organización y descripción, Archivo Histórico, Universidad Nacional Autónoma de México, Distrito Federal, Mexico
Galerías virtuales del estallido social chileno: La mirada satírica y combativa de la Brigada Otaku Antifascista
Joaquín Andrés Vargas Vargas, Student, Doctor (c) en Estudios Americanos. , Instituto de Estudios Avanzados, Universidad de Santiago de Chile. , Región Metropolitana de Santiago, Chile
Hombres que cuidan flores: Fotografía performativa y masculinidades de hombres floricultores en Atlixco (México)
Diego Fernando Álvarez Campos, Docente, Licenciatura en Educación Comunitaria con énfasis en Derechos Humanos, Universidad Pedagógica Nacional, Bogotá, Colombia
Paraíso artificial: Mujeres inventoras, imaginarios y seducciones técnicas para el control tecnológico en Chile (1900-1930)
Pedro Alvarez Caselli, Full professor, researcher, consultant, School of Design, Pontificia Universidad Católica de Chile, Chile
Pausa
El uso de las imágenes como recurso didáctico en la enseñanza a nivel superior
Jovita Georgina Neri Vega, Docente-Investigador, Facultad de Contaduría y Administración, Universidad Autónoma De Querétaro, Querétaro, Mexico
Rafael Albertti González Neri, Docente investigador, Universidad Autónoma de Querétaro, Querétaro, Mexico
Aaron Ivan Gonzalez Neri, Profesor-Investigador, Facultad de Contaduría y Administración, Universidad Autónoma de Querétaro, Querétaro, Mexico
Héctor Miguel González Neri, Docente , Contabilidad, Universidad Autónoma de Querétaro , Mexico
La imagen y la inteligencia artificial generativa en los procesos formativos de grado en la Facultad de Información y Comunicación
Varenka Parentelli Lucas, Profesora Agregada G4, Coordinadora Académica Programa APEX: Coordinadora de posgrado de la Facultad de Información y Comunicación, Universidad de la República, Uruguay
Leticia Gambetta, Profesora Adjunta, Departamento de Medios y Lenguajes, Universidad de la República, Montevideo, Uruguay
Zona Flip: Implementación de ambientes de aprendizaje como estrategia de evolución del modelo tradicional de enseñanza hacia un modelo mediado por la tecnología en los programas académicos de la UNAL sede Palmira
Daniel Andrés Ardila Giraldo, Student, Diseñador Industrial, Universidad Nacional de Colombia, Valle del Cauca, Colombia
Andres Palacio, Docente, Diseno, Universidad Nacional de Colombia, Valle del Cauca, Colombia
Oscar Yovany Checa Cerón, Docente Investigador, Departamento de Ciencias Básicas, Grupo de Investigación CELAB, Universidad Nacional de Colombia, Valle del Cauca, Colombia
Cena del Congreso en barco: La esencia de París
No está incluido en la inscripción. Reserve su plaza en "Eventos especiales"
Mesa de registro abierta
14 Rue Cujas, 75005 París, Francia. (Cerca de la Univeridad Panthéon-Sorbonne)
Sesión plenaria y debate en inglés con Emmanuel Alloa
"From Documentary to Potential Images: AI Generated Art, Data Correlationism and Democracy"
Pausa para café
Pausa
Sostener la ilegibilidad: Consideraciones desde la materialidad la imagen
Gabriela Lobato, Student, PDH Student, Universidad Nacional Autónoma de México (UNAM), Distrito Federal, Mexico
Representación simbólica del espacio urbano en narrativas de ciencia ficción : Un estudio comparativo con escenarios urbanos en Guayaquil
Ricardo Andrés Valencia Robles, Docente, Architecture and Urbanism, Universidad de Guayaquil, Guayas, Ecuador
Ghyslaine Romina Manzaba Carvajal, Educator, Facultad de Arquitectura y Urbanismo, Universidad de Guayaquil, Guayas, Ecuador
El hiperrealismo en las artes plásticas : Una reflexión sobre su estatus artístico
Leonardo Alberto Rios Osorio, Researcher and Full professor in microbiology, sustainability and researcher in visual arts , School of Microbiology, Universidad de Antioquia, Antioquia, Colombia
Almuerzo
(Edificio de enfrente: Centre Panthéon, entrada por 133 Rue Saint-Jacques, 75005 Paris)
Visualizando significados - La metáfora gráfica en la representación de datos: Reinterpretación de las variables visuales en la práctica de la enseñanza del diseño
Karen Carrera, Académica, Escuela de Diseño, Universidad Austral de Chile, Los Ríos, Chile
Dispositivo transmedia como diálogo entre lo análogo y lo digital: Revelar las imágenes entre ventanas y archivos
Ángela Natalia Vanegas León, Student, Magíster en Arte, educación y Cultura, Universidad Pedagógica Nacional , Colombia
La metaforicidad de las imágenes: Una perspectiva histórica
Modesta Di Paola, Profesora Contratada Doctora, Historia del Arte, Universidad de Málaga, Spain
Pausa
Clausura del congreso y ceremonia de premiación
Mesa redonda online (En directo)
El enlace Zoom se encuentra en la descripción / 17:00 horario de París
Paris Pre-Conference Walking Tour
Sign Up Via the Special Events Tab
Online Welcome and Training Session (Live - Online Only)
Zoom Link in the Description
Online Only Workshop
Live - Click on Title for Zoom Link
Designing Empathy: The Creation of Empathy through Design Fiction and Play
Ishrat Lallmamode, Associate UX Designer, Decision Theater, Arizona State University, Arizona, United States
Excess and Empowerment: The Countess of Castiglione's Photographic Reimaginings
Frances Di Lauro, Associate Professor, English and Writing, The University of Sydney, New South Wales, Australia
A Touch of Style: Indexicality as a Mode of (Meta)Representation
Ricardo De Mambro Santos, Chair, Art History, Willamette University, Oregon, United States
A Creative Comparison between Chinese Ideograms and Mayan Hieroglyphs
Humberto Ortega Villaseñor, Profesor Investigador Titular, Estudios Literarios, Universidad de Guadalajara, Jalisco, Mexico
Shine and Violence: Narcoaesthetic Imaginaries in Contemporary Colombian Art
Marco Giovanetti, Student, Masters, Concordia University, Canada
The Sun Is Shining above the Clouds: A Collaborative Film Script Written by Women, Men, and Machines - European Forum for Advanced Practices, Context Working Group
Adnan Hadzi, Associate Professor, Departement of Digital Arts, University of Malta, Msida, Malta
Digital Versus Physical: Comparative Study of the Viewing Experience of Archived Photographs
Nitendra Singh, Ph.D. Scholar, Design, Indian Institute of Technology, Delhi, India
Aneesha Sharma, Associate Professor, Design, IIT Delhi
POV Reimaginings: AI Imagery and the Spectacle of Collective Memory
Paulius Petraitis, Assistant Professor, Department of Digital Cultures and Communication, Faculty of Communication, Vilnius University, Lithuania
Pāhekoheko - Combining, Co-operative, Joint, United, Interactive, Associated, Integrated, Mixed: Collaborative Practices to Form New Cultural Imaginaries
Becky Nunes, Associate Professor of Lens-based Media, Creative Industries, Staffordshire University, United Kingdom
Re-Examining Interests and Rights in Modern Image-Making
S. Che Ekaratne, Lecturer, School of Law, University of Reading, United Kingdom
Creating Images with AI: Collaboration and Serendipity as Frameworks
Madeleine Sorapure, Teaching Professor/Associate Dean, Writing Program, University of California at Santa Barbara, United States
Scannability as a Democratic Aesthetic: Re-tooling Perambulatory Image-making with Smartphone LiDAR
Chao Wang, Student, PhD Candidate, University of the Arts London, United Kingdom
Picturing Cancer : Art Practice, Chemotherapy and Photographic Interventions
Tamara Voninski, Sessional Academic, Sydney College of the Arts, University of Sydney, New South Wales, Australia
Conference Registration Desk Open and Welcome Coffee
14 Rue Cujas, 75005 Paris, France. (Close to the Panthéon-Sorbonne University)
Conference Welcome and Opening
Plenary Speaker and Discussion with Sha Xin Wei
"Collective Sense-making, Prototyping Social Forms, and Anticipatory Governance"
Cueing the Play Frame, Creating a Comic Climate: Formal and Affective Strategies of the Classical Hollywood Comedy
Lance St. Laurent, PhD Candidate/TA, Communication Arts/Film, University of Wisconsin-Madison, Wisconsin, United States
From India Ink to Facetune: Body-size Reduction in Photography, 1839-1908
Kenna Libes, Student, PhD Candidate, Bard Graduate Center, United States
Reading the Flatline: Literary Critique and the Visual Indeterminacy of GAN Images
Thomas Symeonidis, Associate Professor, Fine Arts, Athens School of Fine Arts, Greece
The Visual Grammar of Gender : Visual Representation in Signage Systems
Onna Segev, Head of Visual Communication Department, NB School of Design, Haifa University, Israel
Social Reflections
Asynchronous Session
Architecture of the Soul: Castle and Cathedral Imagery in Western Spiritual Practices
Rebecca Barham, Art Research Librarian, Library Research Support Services, University of North Texas, Texas, United States
Posters with Purpose: The Book as Palimpsest, Vessel, and Voice for Visual Integrity
Lisa Winstanley, Assistant Professor, School of Art Design and Media, Nanyang Technological University, Singapore
Working in the Infrathin: Using Surrealist Practice to Organize Creative Post-Capitalist Communities
Brent Everett Dickinson, Lecturer, Mason Gross School of Art, Rutgers University, California, United States
Picture This: How Images Shape Teaching and Learning
Katherine Horlock, Associate Chair and Assistant Professor, Teacher Education and Leadership, Mississippi College, Mississippi, United States
Cindy Melton, Dean, School of Education, Departments of Psychology, Counseling, Kinesiology, and Teacher Education, Mississippi College, Mississippi, United States
Transformative Times
Asynchronous Session
Curated Shares: Algorithmic Aesthetics in the Digital Image Culture
Melissa Antonescu, Student, Masters, National University of Arts Bucharest Romania, Bucuresti, Romania
Heidegger on Art and Poetry: The Role of Language and Art in Revealing Truth
Jiayao Gao, Student, Art and Aesthetics, Bard College Berlin, Berlin, Germany
The Image-Making of the Armenian Mercantile Class during the Early Modern Period: Construction within the Framework of East-West Commercial and Cultural Interactions
Ani Margaryan, Postdoctoral Fellow, School of Arts, Soochow University, China
Giving Order to Chaos: Meaning in the Arts
James Callaghan, Senior International Officer, Assistant Vice-President for International Education, Academic Affairs, Georgia College & State University, Georgia, United States
Coffee Break
The Hand of the Artist: Reading the Embodied Act of Drawing in Narrative Images
Kamil Dukiewicz, Student, PhD Candidate, Kazimierz Wielki University in Bydgoszcz, Kujawsko-pomorskie, Poland
Writing as Image - the Visual Poetics of Charlotte Salomon’s Life? or Theatre?: Image-Text, Calligraphy, and Emotional Expression in a Work of Survival
Sonia Arribas, Professor, Humanities, Pompeu Fabra University, Barcelona, Spain
The Radiological Image in Contemporary Art: A Sensitive Cartography of Identity
Johanna Jouhans, Student, University of Paris 1 Panthéon-Sorbonne, Université Paris 1 Panthéon-Sorbonne, France
Rebel Selfies and Utopian Queer Imagery on Social Media
Dawn Woolley, Research Fellow, Research, Leeds Arts University, United Kingdom
Codeless: The Encoding of Lyrics and Language in Pearl Jam's "No Code"
Michael Sell, Professor of Art, Art, Eastern Oregon University, Oregon, United States
Prompt Culture: Crafting Images with Words
Eran Fisher, Faculty, Department of Sociology, Political Science, and Communication , The Open University of Israel, Israel
Norma Musih, Postdoctoral Research Fellow , Communication and Journalism, The Hebrew University of Jerusalem, Israel
The Hand of the Artist: Reading the Embodied Act of Drawing in Narrative Images
Kamil Dukiewicz, Student, PhD Candidate, Kazimierz Wielki University in Bydgoszcz, Kujawsko-pomorskie, Poland
Writing as Image - the Visual Poetics of Charlotte Salomon’s Life? or Theatre?: Image-Text, Calligraphy, and Emotional Expression in a Work of Survival
Sonia Arribas, Professor, Humanities, Pompeu Fabra University, Barcelona, Spain
The Radiological Image in Contemporary Art: A Sensitive Cartography of Identity
Johanna Jouhans, Student, University of Paris 1 Panthéon-Sorbonne, Université Paris 1 Panthéon-Sorbonne, France
Image Making as Black Feminist Arts-based Methodology: US Black Women and Girls Use of Image Making
Sheri Lewis, Assistant Professor, African American and African Studies, Michigan State University, Michigan, United States
Mia Shaw, Assistant Professor, African American and African Studies, Michigan State University, United States
Renée Wilmot, Assistant Professor, African American and African Studies, Michigan State University, Michigan, United States
The (Re)imagining of the Colonial Postcard: AI Animates the Muslim Woman Trope
Sabah Uddin, Assistant Professor, Language, Literature, and Cultural Studies, Bowie State University, Maryland, United States
Water, Air and Socio-ecosystemic Matter in Performance and Digital Art : From Fluid Poetics to Fluid Politics
Charlotte Mariel, Professeure Agrégée en Arts Plastiques Titulaire, BUT Carrières Sociales, Université Paris-Est Créteil - IUT Sénart-Fontainebleau, Val-de-Marne, France
Online Poster Session
Asynchronous Session
The Image in Intersemiotic and Multimodal Performance: Making the Invisible Visible
Thomas Marotta, Lecturer, Creative Industries, University of Technology Sydney (UTS College), New South Wales, Australia
From Slides to Stories - Elevating Visual Communication in the Digital Age: How Graphic Design and Storytelling Converge in Presentation Design
Volodymyr Shostakovych, CEO, Art Director, Vova.Design, California, United States
Innovation Showcases
Asynchronous Session
Tripartite Frameworks and Genius Loci: A Visual Method for Reading Sacred Urbanism in Flux
Chandni Jeswani, Manager, Commissions, Alserkal Arts Foundation, United Arab Emirates
The Faces of Mexico: A Study in Truth and Perception
Richard Cawood, Assistant Professor, College or Arts and Creative Enterprises (CACE), Zayed University, Dubayy, United Arab Emirates
Transition Break
Pre-Columbian Iconography in Stars and Rocks: The Trascendence of Atacama Desert's Likan Antai Culture in Petroglyphs and Rock Art
Juan Edwards, Professor, Facultad de Comunicaciones, Pontificia Universidad Católica de Chile, Región Metropolitana de Santiago, Chile
Federico Aguirre, Associate Professor, Faculty of Theology, Pontifical Catholic University of Chile, Región Metropolitana de Santiago, Chile
Enrique Vergara Leyton, Tenure professor, Facultad de Comunicaciones, Pontificia Universidad Católica de Chile, Región Metropolitana de Santiago, Chile
Knowing More, Seeing More: The Impact of Information on Art Perception in Three Studies
Christopher Linden, Student, PhD, KU Leuven, Belgium
Othering Made Easy: Reinforcing African Stereotypes through Instagram
Lawrence Wood, Professor, School of Media Arts and Studies, Ohio University, Ohio, United States
Sesión plenaria y debate en español con Ana María Sedeño Valdellós
”Imaginarios y estéticas de lo visual con la Inteligencia Artificial: hipertrucaje, efectismos y fantasmagoría”
Art as Activism: The Feminist Legacy of Éva Besnyő, Kati Horna, and Ata Kandó in the Digital Age
Erdei Krisztina, Doctoral Student, Art History, Eotvos Loránd University, Hungary
From Body Vision to Body Sensation: An Aesthetic of Immersive Ambiguity
Anna Charrière, Student, PhD Student, Panthéon Sorbonne, Paris, France
Miguel Angel Almiron, Media Artist and Professor, University Paris 1 Panthéon-Sorbonne, France
Glass House: Displacement, Memory, and the Silent Image of Survival
Ozgul Kılınçarslan, Associate Professor, Faculty of Fine Arts and Design / Visual Communication Design, Izmir University of Economics, Turkey
Counter-Images of the Alps - Visual Activism Against the Spectacle-Driven Exploitation of Italian Alpine Landscapes: Photography and Transmedia Research as a Democratic Tool of Information and Resistance
Beatrice Citterio, Student, PhD Candidate, Free University of Bolzano, Milano, Italy
Poem, Painting, Sculpture: Text and Art in Nomad Space
Shakir Mustafa, Student, Ph.D., Northeastern University, Boston, USA, Armed Forces Americas, United States
AI Style
Maayan Amir, Researcher, Director and Curator of University Galleries , Department of the Arts, Ben-Gurion University of the Negev, Israel
Transition Break
Lunch
(Next Building: Centre Panthéon the entrance from 133 Rue Saint-Jacques, 75005 Paris)
Plenary Panel: "Digital Care and Democratic Gestures"
Transition Break
The Camera as Membrane: Opacity in Photography and the Ontology of the Snapshot
Hannah Wilder, Student, Contemporary Art Practice, Royal College of Art, London, City of, United Kingdom
Semantics of Emptiness in Artistic Practices
Elizaveta Ivanova, Student, MA, SPbU, Sankt-Peterburg, Russian Federation
Resurrecting the Third Dimension: Extracting Historical Landscapes from Aerial Photography
Jon Jablonski, Librarian, DREAM Lab, University of California Santa Barbara, California, United States
Egungun, Gelede and Masquerades Linking the Dead and the Living: A Sociological Imagination
Dolapo Adeniji-Neill, Professor, College of Education and Health Sciences (CEHS), Adelphi University, New York, United States
Anne Mungai
Pictorial Knowledge : The Case of the 19th-Century Lantern Lectures
Sonya Petersson, Assistant Professor / Research Fellow, Department of Culture and Aesthetics, Stockholm University, Stockholms län, Sweden
The Significance of Multimodal Cultural Manifestations for Mexican Americans in the USA: Identity and Activism Through the Game of Lotería
Gabriela C. Zapata, Associate Professor in Education, School of Education, University of Nottingham, United Kingdom
Unraveling Narratives: Image and Word in the Age of Trump
Melissa Bender, Continuing Lecturer, University Writing Program, University of California, Davis, California, United States
Karma Waltonen, Senior Lecturer, Writing Center, University of California, Davis, California, United States
Making the Same Image Every Day for Sixty Years: Revelations of Visual Culture and Tourism from the Kolb Trail Photos
Mark Neumann, Professor and Program Coordinator for Creative Media and Film Program, ]School of Communication, Northern Arizona University, Arizona, United States
Image - From the 'Not knowing' to a Critical Epistemology
Paula Martinelli, Student, PhD, Pontifical Catholic University of São Paulo (PUC-SP) and University of São Paulo (USP), São Paulo, Brazil
To Take Back Power: Teenagers Creation of Blackout Poems to Respond to Negativity
Siri Mohammad Roe, Assistant Professor, Teacher Education, Oslo Metropolitan University, Oslo, Norway
Hilde Tørnby, Professor, Faculty of Education and International Studies, OsloMetropolitan University, Norway
The Embodiment of Word : The Occurrence of Text in Paintings
Gizela Horvath, Professor, Arts, Partium Cristian University, Oradea, Bihor, Romania
The Eye in the Tip of the Fingers: The Tactile Cinema of Women Filmmakers
Orisel Castro López, Student, PhD, Polytechnic University of Valencia, Valencia, Spain
Transition Break
Microbial Landscape Photography: Documenting In Situ Microbial Distribution Using 3-Dimensional Macrophotography
Jenifer Wightman, Grad Student, Arts, Renssalaer Polytechnic Institute, New York, United States
George Bataille and the Passage from Animal to Art Supplies
Corey Ratch, Fellow, Kunsthistorisches Institut, Eberhard Karls University of Tübingen, Baden-Württemberg, Germany
From Analog to Digital - Exploring Organic Forms in New Media Art: Experimental Collaborative Art Studio
Elena Posokhova, Student, PhD Candidate, Université Paris 1 Panthéon-Sorbonne, Paris, France
Miguel Angel Almiron, Media Artist and Professor, University Paris 1 Panthéon-Sorbonne, France
Fragments, Soundscapes and AI: Toward an Ecological Approach to Sound and Image
Azadeh Nilchiani, Postdoctoral Fellow, Institut ACTE – Arts Créations Théories Esthétique, University Paris 1 Panthéon-Sorbonne, France
Beyond Visual Narcissism - Toward a Phenomenology of the Image: Merleau-Ponty’s Path from Mirror Experience to Image Experience
Yixuan Liu, Doctoral Candidate, Philosophy, University of Fribourg, Switzerland
Image and Society at a Crossroads: The 1988 Chinese Art Debate and the Future of Chinese Art
Yifan Wu, Student, PhD Student, Hong Kong Baptist University, Hong Kong
Unintended Artistic Consequences of Graffiti Removal in Urban Landscape: The City as an Reluctant Image-Maker
Burcu Kayhan, Student, Master's Degree, Istanbul Bilgi University, Istanbul, Turkey
Eylül Deniz Akkuzu, Student, Music, Istanbul Bilgi University, Istanbul, Turkey
Then and Now: Women Artists in Kerala
Babitha Justin, Associate Professor, Department of Humanities and Social Sciences, Indian Institute of Space Science and Technology, Kerala, India
Fidelity Loss in WikiArt Images of Paintings: Effects on Aesthetic Ratings and Preferences
Lisa Koßmann, PhD Candidate, Brain and Cognition, KU Leuven, Vlaams Brabant (nl), Belgium
Johan Wagemans, Professor, Brain and Cognition, University of Leuven, Vlaams Brabant (nl), Belgium
Stefanie De Winter, Post-doctoral Researcher, Art History, KU Leuven, Belgium
Conference Boat Dinner Cruise - The Essence of Paris
Sign Up Via the Special Events Tab
Conference Registration Desk Open
14 Rue Cujas, 75005 Paris, France. (Close to the Panthéon-Sorbonne University)
Plenary Speaker and Discussion with Emmanuel Alloa
"From Documentary to Potential Images: AI Generated Art, Data Correlationism and Democracy"
Coffee Break
Shaping Perception: Hands-On Exploration of the Narrative Power of Typographic Forms in Image-Making
İpek Köprülülü, Independent Designer, Currently Graphic Designer for Netflix Series “To Love, To Lose”, İpek Köprülülü, Turkey
Poster session
All posters will be hung in Room 9 (Galerie Dumas D617)
The Measurement and Evaluation of Community Interest in the Arts and Partnership Development
Anna Szabados, Chair, Arts Commission, Parks and Recreation, Brentwood City Council, California, United States
Eight Year Olds, Avatars and the Presentation of Self Online: Navigating Social Media Spaces through Considered Discourse and Image
Poppy Gibson, Senior Lecturer in Education, Faculty of Wellbeing, Education and Language Studies, Open University, Milton Keynes, United Kingdom
From Hallucinations to Hallelujah: Enhancing Critical Consciousness and Creative Ability Through Generative Artificial Intelligence
William Gates, Student, Doctorate of Education, Northeastern University, Massachusetts, United States
The Mask of the Ciberbandido : Surveillance Resistencia
Colton Campbell, Student, PhD, The Univeristy of New Mexico, New Mexico, United States
Visual Study of Energy Infrastructure as a Technological Landscape: Tracing the Shifts - Visual Language and Interdisciplinary Practices from Colonial Infrastructures to Wind Turbines in the Age of Energy Crisis
Yi Zhang, Student, Ph.D., Université Paris 1 Panthéon-Sorbonne, France
Nu Ha, Student, Ph.D., Université Paris 8, Paris, France
All Art Is Propaganda: The “Little People of the Month” in The Brownies’ Book
Jonda McNair, Charlotte S. Huck Endowed Professor of Children's Literature, Teaching and Learning - College of Education and Human Ecology, The Ohio State University, Ohio, United States
Ekphrastic Poetry Workshop : Seeing Beyond What's Literal
Ann Van Buren, Ekphrastic Poetry Workshop Leader, Katonah Poetry Series, Greenburgh Public Library, United States
Art and Empathetic Connections: The Role of the Viewer
Susan Barahal, Senior Lecturer, Education, Tufts University, Massachusetts, United States
Elizabeth Canter, Manager of Academic Programs, Tufts University Art Galleries, United States
Noelle Roop, Faculty, Education, Tufts University, Massachusetts, United States
Seeing and Being Seen - We Are Reflections: How Societal Responses and Reflections Inform Identity and Expression
Noelle Roop, Faculty, Education, Tufts University, Massachusetts, United States
Transition Break
Images as Evidence?: Negotiating the Functions of Images in Science Communication
Charlotte Bruns, Postdoctoral Researcher and Lecturer, Erasmus University Rotterdam, Netherlands
The Form of Image within Democratic Aesthetics : Toward the Aesthetic Mode of Visual Cultural Analysis
Yi Chen, Senior Lecture in Contextual and Theoretical Studies, Design School, University of the Arts London, London, City of, United Kingdom
Metaphors of Hope : Children’s Image Making During Wartime
Tracey Bowen, Professor Teaching Stream Emeritas, Institute of Communication, Culture, Information & Technology, University of Toronto Mississauga, Ontario, Canada
M. Max Evans, Associate Professor/Graduate Program Director, School of Information Studies, McGill University, Quebec, Canada
Retro Aesthetics in the Digital Age: Lost Memories and the Expression of Liminal Aesthetics
Manxi Du, Student, PhD Candidate, Université Paris 1Panthéon-Sorbonne, France
The Internet is American: Selfies, Sex Work and American Fascism
Camille Waring, Founder, The Photographic Theorist, Victoria, Australia
James Duval as Queer Tabula Rasa in Gregg Araki's Teen Apocalypse Trilogy: Image Work in Action
Kylo-Patrick Hart, Professor and Chair, Film, Television and Digital Media, Texas Christian University, Texas, United States
Blueprints for Future Outlaws: Architectural Drawing as Art Practice in Times of Change
Liz Swanson, Associate Dean of Student Affairs and Associate Professor of Architecture, The College of Design and School of Architecture, The University of Kentucky, Kentucky, United States
Heritage in Motion: Digital Perspectives on Cultural Identity
Ilze Eklsa (Loza), Assistant Professor, College of Arts, Zayed University, Abū Z̧aby [Abu Dhabi], United Arab Emirates
Ephemeral and Entropic Properties of Ice as an Image-making Method
Iwona Abrams, Senior Lecturer, School of Media and Communication, University of Westminster, United Kingdom
Withholding 'Us' - Images in/as the Space of Appearance: Rescuing the Ghosts of the Democratic
Brigid Mc Leer, Senior Lecturer, Fine Art , Manchester Metropolitan University, Lancashire, United Kingdom
@tlas Denkraum: Providing Space for Thought. Making Images to Work.
Lanoix Carole, Lecturer, IGEDT, UNIGE, Genève (fr), Switzerland
Humanscape in Geopoetics: Visual Diagnosis of Reclaimed Landscapes
Yue Hu, Student, PhD, University of Plymouth, Devon, United Kingdom
Transition Break
Pivotal Images in Museums and Their Role in Shaping National Identity: Transformations of Visual Narratives in Ukrainian Museum Exhibitions Following Russia’s Military Invasion
Svitlana Tymkiv, Educational Programs Manager, Education department, City Museum, Lviv, L'vivs'ka Oblast', Ukraine
Image-ining Hope: Purposeful Representations of Nature and Culture on Analog and Digital Platforms
Ellen Moll, Assistant Dean of Undergraduate Studies, College of Arts and Letters, Michigan State University, Michigan, United States
The Quick and the Dead: Painting, Treachery and Materiality in the Post-medium, Post-digital Condition
Jennifer Lee Wiebe, Doctoral Student and Part-time Faculty, Art Education, Concordia University, Quebec, Canada
Worldbuilding for Design Education: Fictional Nation Designs from the Past, Present and Future
Lee Zelenak, Lecturer, School of Design, DePaul University, Illinois, United States
Heather Snyder Quinn, Associate Professor of Design, College of Computing, School of Design, DePaul University, Illinois, United States
Heather Snyder Quinn, Associate Professor of Design, College of Computing, School of Design, DePaul University, Illinois, United States
Cloud Theory: Seeing Shapes in Clouds with an AI Companion
Colleen Macklin, Professor, Art, Media and Technology, The New School / Parsons School of Design, New York, United States
Transparent Garments and Image-Clothing: On the Digitalization of Fashion and the Loss of Enclothed Knowledge
Cyana Djoher Anaïs Hadjali, PhD Candidate, Doctoral School APESA, Université Paris 1 Panthéon-Sorbonne, France
Lunch
(Next Building: Centre Panthéon, the entrance from 133 Rue Saint-Jacques, 75005 Paris)
Transition Break
Data Lifeboats for Citizen-Driven Collecting
Fattori McKenna, Lead, Research, Flickr Foundation, United Kingdom
George Oates, Co-founder and Executive Director, Flickr Foundation, United Kingdom
Expanding the Horizons of Three-Dimensional Software: Digital Art and Architectural Visualization Redefined
Saral Surakul, Associate Professor, Lamar Dodd School of Art, The University of Georgia, Georgia, United States
Osmotic Sensoria: Multisensory Learning Spaces and the Form of the Image in Society
Gigi Polo, Associate Teaching Professor, Parsons, School of Design. First Year Program, The New School University, New York, United States
Pareidolia of Metamorphosis: A Study in Experimental Digital Animation
Sandee Bedford, Assistant Professor of Animation and Illustration, School of Art and Design, Kennesaw State University, Georgia, United States
Parallel Realities: The Looking Glass Self
Roddy MacInnes, Professor of Photography, School of Art and Art History, University of Denver, Colorado, United States
Unravelling Motherhood
Tammie Leong, Senior Lecturer, Design Department, Media Design School, Auckland, New Zealand
Visualizing Collapse: The Symbolic Function of Computer-Generated Imagery in Contemporary Depictions of Social Threats
Kyla Van Buren, Instructor, Film Department, Santa Fe Community College, New Mexico, United States
Insect Macrophotography at the Nexus of Art, Science, and Biodiversity: The Limits of Aesthetics in the Communication of Science
Audrey Kali, Professor, Department of Communication, Media, and Performance, Framingham State University, Massachusetts, United States
How Inclusive Online Museum Impacts In-Person Visiting Experiences in the Toledo Museum of Art
Yong Huang, Associate Professor, Architecture, Bowling Green State University, Ohio, United States
Transition Break
Image and Impact: Visual Methodologies to Instigate Social and Environmental Response
Kelly Salchow MacArthur, Professor of Graphic Design, Art, Art History, and Design, Michigan State University, Michigan, United States
“High-Performing” Images on Social Media: The Aesthetic Transformation in the Development of Images
Kaiyan Chu, Student, PhD Candidate, Lancaster University, Lancashire, United Kingdom
The Digital Fight for Freedom: Ukrainian Humor and Identity as Rhetorical Strategy in Digital Art
Jacqueline Irwin, Professor, Communication Studies, Sacramento State University, California, United States
Conjuring an Image: Language, Ritual, and the Feminine in Generative AI
Antonia Ratto, Student, Doctorat, Paris 1 Panthéon-Sorbonne, Rio de Janeiro, Brazil
Form-Process: The Performative Act of the Image
Evi Roumani, Student, PhD Candidate, Athens School of Fine Arts, Attiki, Greece
Lux & Looks: An Art Installation and Artistic Research on Light, Reflection, Images, Perception and Memory
Patrick Ceyssens, Docent, Arts & Architecture, PXL-MAD School of ARTS, Belgium
Johan Wagemans, Professor, Brain and Cognition, University of Leuven, Vlaams Brabant (nl), Belgium
Getting Language Out of the Picture: Isolating Contributions of Visual Processing in Empirical Aesthetics
Ben Van Buren, Assistant Professor, Department of Psychology, The New School, United States
The Longest Web Page in the World: A Joke by a Marseilles Neighbourhood Association to the First (and Last?) International Static Social Network
Grégory Mesnil, Student, Doctoral, Paris 1 Panthéon Sorbonne, France
To Open Eyes: Photography at Black Mountain College
Siu Challons-Lipton, Executive Director and Professor of Art History, Department of Art, Design and Music, Queens Univeristy of Charlotte, North Carolina, United States
The New Kings Don't Die : AI, Technology, and Transcendence
Tanner Yocom, Student, PhD, University of West London, London, City of, United Kingdom
People Take Over Places for Democracy - Protest Movements from 2011 to 2022: A Teaching Research Project with Students of Cultural Studies
Ursula Kirschner, Professor, Faculty of Culture and social Sciences , Leuphana University Lüneburg, Germany, Niedersachsen, Germany
Nayara Benatti, Student, PhD Candidate, Universidade de São Paulo, São Paulo, Brazil
Flattened Intensities, Intensified Flatness: How Context Shapes the Aesthetic Experience of Abstract Art
Stefanie De Winter, Post-doctoral Researcher, Art History, KU Leuven, Belgium
Hanne Daenen, Student, Master of Psychology, KU Leuven, Vlaams Brabant (nl), Belgium
Johan Wagemans, Professor, Brain and Cognition, University of Leuven, Vlaams Brabant (nl), Belgium
Christopher Linden, Student, PhD, KU Leuven, Belgium
